Djuna Barnes documents:This collection is available to the general public and is employed within the Collections reading that is special room

Utilize and Use Of Collection

Researchers must register and consent to privacy and copyright rules before applying this collection.

Because of the condition regarding the collection, users will access the microfilm surrogate for Series I-IV. Authorization to see the initial documents must be submitted to Special Collections and University Archives prior to your check out. Initial pieces of art in Series VIII are delicate and tend to be consulted just by visit.

Duplication and Copyright Information

Photocopies or surrogates that are digital be supplied relative to Special Collections and University Archives replication policy.

Copyright resides utilizing the creators associated with papers or their heirs unless otherwise specified. This is the researcher’s duty to secure authorization to write materials through the copyright holder that is appropriate.

Inquiries about authorization to write the works of Djuna Barnes should always be directed towards the Authors League Fund, 155 liquid Street, #206, Brooklyn, NY 11201 Tel: 212-268-1208, Fax: 212-564-5363 e-mail:

Archival materials may include materials with painful and sensitive or private information that is protected under federal and/or state right to privacy laws and regulations or any other regulations. Some may be missed during our processing while we make a good faith effort to identify and remove such materials. In case a researcher discovers sensitive and painful information that is personal a collection, please carry it towards the attention regarding the reading space staff.

102.00 Linear Feet

Extra Description

Scope and Information of Collection

Noted journalist and author that is avant-garde Barnes came to be in Cornwall-on-Hudson, nyc, on June 12, 1892, the next youngster and just daughter of Wald and Elizabeth Chappell Barnes. Barnes learned art in the Pratt Institute (1912-1913) as well as the Art scholar’s League of brand new York (1915-1916).

The New York Press , and the New York Sun , among other publications in 1913, she began working as a freelance journalist and illustrator for the Brooklyn Daily Eagle and was soon writing and illustrating features and interviews for the New York Morning Telegraph. During this time period, she became mixed up in bohemian milieu that is artistic of Village. She composed poetry ( The Book of Repulsive Women , posted in 1915) and lots of short performs („Three From the planet earth,“? „Kurzy associated with the water,“ and „An Irish Triangle“), that have been created by the Provincetown Players in 1919 and 1920.

In 1921, Barnes travelled to European countries, then invested almost all of the next 20 years in England and France. She composed features and interviews for Vanity Fair , McCall’s , Charm , and Smart Set , a column that is regular Theatre Guild Magazine , and poems and tales for literary magazines such as for instance Dial , change , and Transatlantic Review . Her book-length writings in this period include an accumulation of her quick tales, performs, and poems, A Book (1923) , which was revised and republished in 1929 as per night Among the list of Horses , the satirical Ladies Almanack (1928), and two novels, Ryder (1928) and Nightwood (1936). Regarded by many critics as her masterpiece, Nightwood had been affected by Barnes’s event with Thelma Wood. The novel had been written beneath the patronage of Peggy Guggenheim and championed by T. S. Eliot, Barnes’s editor at Faber and Faber.

In 1939, Barnes returned to the United States, and, in September 1940, she moved into an apartment at 5 Patchin Place in Greenwich Village, where she res >The Antiphon (1958), which was produced in Sweden in 1961 in a version co-translated by United Nations‘ secretary Dag Hammarskjold october. Another collection of her stories that are short Spillway , ended up being posted in 1962, the season for which Selected Works ( Spillway , The Antiphon , and Nightwood ), showed up. Throughout the 1960s and 1970s, Barnes additionally penned poetry that is much though little ended up being posted. Her last work was the verse menagerie Creatures within an Alphabet (1982). Barnes passed away in nyc on June 18, 1982, in the chronilogical age of ninety.


Custodial History and Acquisition Information

Location and existence of Copies

Associated Material

Materials pertaining to the Papers of Djuna Barnes held Special Collections consist of the Barnes Family Papers, the Papers of Saxon Barnes, the Papers of Elsa von Freytag-Loringhoven, the Papers of James Stern, the Irwin Cohen Collection, the Papers of Phillip Herring, the Chester web web Page Collection, the Papers of Andrew Field, in addition to Papers of Frances McCullough. an uniqure recording of barnes reading from The Antiphon , created by Chester Page in April 1971and acquired using the McCullough documents, can be obtained at Essential communication of Barnes with Emily Coleman is within the Emily Holmes Coleman Papers in the University of Delaware Library, Newark, Delaware.

The Rare Books Department has responsibility that is curatorial the part of Barnes’s individual collection which was acquired along with her documents. The Barnes’s collection contains over 1100 games and is available through the University of Maryland Libraries‘ online catalog. Please see the description in Series 9: Library to find out more.

Processing Information

Since its purchase because of the University of Maryland, the Barnes documents have already been prepared many times in mostly piecemeal fashion. Into the springtime of 1996, every one of the collection except the photographs and art underwent major reprocessing. This work included making a brand new variety of family members and individual documents and merging the 2 alphabetical runs of communication. Materials previously into the „Typescripts, web page proofs, scripts,“ „Publications,“ and „Appendix B: Laminated Papers“ were brought together as a single „Writings“ series. Other work included integrating the unprocessed addenda associated with collection (previously „Appendix A“) into current show and combining the „Clippings,“ „Pamphlets,“ and far associated with „Miscellaneous“ series into an individual „Printed Matter“ series. In Fall 1996, a series that is new „Serial Publications,“ is made. „Book Catalogs“ formerly found underneath the „Printed Matter“ series were relocated into „Serial magazines.“

In 1998, the remaining of unprocessed things had been incorporated into the collection. Additionally, the picture and art appendices had been changed to show and renumbered and rearranged as necessary. Part VI, Cards, and Section VII, Printing Blocks, had been put into the art show. The Barnes pen and ink drawings donated in 1997 had been additionally included to the creative art show. In November 2000, products obtained from a dealer had been incorporated into the collection.

In 2001, preparations to microfilm the first four series of the collection began, including some reprocessing july. Significant time had been specialized in dating formerly undated materials and reorganizing the materials properly. In Series II, Correspondence, there is a file that is general each page for the alphabet that included communication from numerous indiv >Djuna Barnes: A Bibliography (Rhinebeck, N.Y.: D. Lewis, 1975).

The arrangement of Series IV, Printed question, ended up being discarded only at that time; „On Barnes“ became „About Barnes“; „On Barnes’s Writings“ happens to be en titled „About Barnes’s Writings“; and „On people“ and „Other“ had been combined to create „Collected by Barnes.“ Things within six associated with the eight „miscellaneous“ files had been grouped together under headings, such as for example guide reviews and wellness, and arranged alphabetically under „Collected by Barnes.“ In addition, English translations of articles had been reunited with regards to language originals.

An effort ended up being designed to bring some purchase to Barnes’s poetry. Whenever feasible, materials within each folder had been put in chronological order, and fragments positioned in „Poems, Fragments“ that have been maybe not poetry-related were relocated to „Notes, Miscellaneous fragments.“ Many significantly, the poems in „Early Poems“ had been partioned into specific folder by title and incorporated into the schema that is alphabetical of show.